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SA035 Embryo

by Alessandro Adriani

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    Following on from his first incursion on the label in 2017, ‘Enter The Fire’, and a recent contribution to the label’s thematic VA, ‘Flowers From The Ashes: Contemporary Italian Electronic Music’, Mannequin boss Alessandro Adriani returns to Stroboscopic Artefacts with ‘Embryo’ – an immersive four-track micro-odyssey spanning across jagged ambient scopes, unmapped acidic grounds and further leftfield-friendly sonic territories, opening up the path for his forthcoming sophomore LP and first ever for Stroboscopic Artefacts, ‘Morphic Dreams’.
    Taken literally, the ’embryonic breathing’ or ‘inner breathing’ that gives its names to the release is a process in which an alchemy practitioner is plunged into a “state of equilibrium and harmony equal to the condition of that of an embryo in his mother’s womb”. Here, Adriani addresses such matters in his own way, translating this symbolic deployment into a tetralogy of extended droney experiments that aim to find similar balance and reconciliation throughout.
    ‘Elapsed Emptiness’ works a dark and unremittingly oppressive vein, slowly sinking its listener into an abstract continuum where light and oxygen have rarefied, whilst sizzling electronics and thunderous riffs roll above heads in cloud formations. Back to groovier spirits, ‘Symmetry’ breaks the bleak maelstrom-like movement of the opener, dishing out a fiercely corrosive compound of smacking kicks, hissy hi-hats and FX-soaked analogue spurts. Cut and tailored in collaboration with Chicago’s very own Beau Wanzer, ‘Inverted Aspects’ trades the filthy filters and spacious horizontality of its foregoers for a passive-aggressive acid tech swagger that’s as sexy a circuits-strewn piece of hardware sensuality as it promises to lay waste on all dancefloors it comes across. Topping off this solid menu on a much hypnotic and resolute note, ‘Aria (New Beat version)’ is perhaps the track that best encompasses Adriani’s alchemical
    search for perfect body and mind concord, maintaining a precarious balance between dancefloor-optimised music and a certain spiritual freedom to dream and escape.

    Includes unlimited streaming of SA035 Embryo via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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Symmetry 06:54
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about

Following on from his first incursion on the label in 2017, ‘Enter The Fire’, and a recent contribution to the label’s thematic VA, ‘Flowers From The Ashes: Contemporary Italian Electronic Music’, Mannequin boss Alessandro Adriani returns to Stroboscopic Artefacts with ‘Embryo’ – an immersive four-track micro-odyssey spanning across jagged ambient scopes, unmapped acidic grounds and further leftfield-friendly sonic territories, opening up the path for his forthcoming sophomore LP and first ever for Stroboscopic Artefacts, ‘Morphic Dreams’.
Taken literally, the ’embryonic breathing’ or ‘inner breathing’ that gives its names to the release is a process in which an alchemy practitioner is plunged into a “state of equilibrium and harmony equal to the condition of that of an embryo in his mother’s womb”. Here, Adriani addresses such matters in his own way, translating this symbolic deployment into a tetralogy of extended droney experiments that aim to find similar balance and reconciliation throughout.
‘Elapsed Emptiness’ works a dark and unremittingly oppressive vein, slowly sinking its listener into an abstract continuum where light and oxygen have rarefied, whilst sizzling electronics and thunderous riffs roll above heads in cloud formations. Back to groovier spirits, ‘Symmetry’ breaks the bleak maelstrom-like movement of the opener, dishing out a fiercely corrosive compound of smacking kicks, hissy hi-hats and FX-soaked analogue spurts. Cut and tailored in collaboration with Chicago’s very own Beau Wanzer, ‘Inverted Aspects’ trades the filthy filters and spacious horizontality of its foregoers for a passive-aggressive acid tech swagger that’s as sexy a circuits-strewn piece of hardware sensuality as it promises to lay waste on all dancefloors it comes across. Topping off this solid menu on a much hypnotic and resolute note, ‘Aria (New Beat version)’ is perhaps the track that best encompasses Adriani’s alchemical
search for perfect body and mind concord, maintaining a precarious balance between dancefloor-optimised music and a certain spiritual freedom to dream and escape.

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released April 19, 2019

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Alessandro Adriani Berlin, Germany

Alessandro Adriani is a lot of things – DJ, producer, live performer and label owner – but above all he is a tireless music researcher. The Berlin-based Italian goes further than your average “crate digger” in pursuit of information about sounds, styles, artists and record labels, devoting countless hours to unearthing the untold stories behind the music he loves, regardless of when it was made. ... more

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